24-02-2022, 18:25
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The Coventry Building Society Arena (formerly known as the Ricoh Arena) is a complex in Coventry, England. It includes a 32,609-seater stadium which is home to the owners, rugby club Wasps and to the football team, Championship club Coventry City F.C. along with facilities which include a 6,000 square metres (65,000 sq ft) exhibition hall, a hotel and a casino. The site is also home to Arena Park Shopping Centre, containing one of UK's largest Tesco Extra hypermarkets. Built on the site of the Foleshill gasworks, it is named after its sponsor, Coventry Building Society who entered into a ten-year sponsorship deal in 2021.[2] For the 2012 Summer Olympics, where stadium naming sponsorship was forbidden, the stadium was known as the City of Coventry Stadium.[3][4]
Originally built as a replacement for Coventry City's Highfield Road ground, the stadium was initially owned and operated by Arena Coventry Limited (ACL), with Coventry City as tenants. ACL was owned jointly by Coventry City Council and the Higgs Charity.
Following a protracted rent dispute between Coventry City and ACL, the football club left the arena in 2013; playing their home matches in Northampton for over a year before returning in September 2014. Within two months, both shareholders in ACL were bought out by rugby union Premiership Rugby club Wasps, who relocated to the stadium from their previous ground, Adams Park in High Wycombe.[5] A further dispute with Wasps prior to the 2019–20 season saw Coventry City leave the Ricoh for a further two seasons.[6] In March 2021, Wasps and Coventry City agreed to a ten-year deal to return to the arena and the city of Coventry.
The stadium was the first cashless stadium in the United Kingdom, with customers using a prepay smartcard system in the ground's bars and shops.[7] However, the stadium now accepts cash at all kiosks.[8]
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COVENTRY CITY 14 PNE 12
Tourist attraction
The Cathedral Church of Saint Michael, commonly known as Coventry Cathedral, is the seat of the Bishop of Coventry and the Diocese of Coventry within the Church of England. The cathedral is located in Coventry, West Midlands, England. The current bishop is Christopher Cocksworth and the current dean is John Witcombe.
The city has had three cathedrals. The first was St Mary's, a monastic building, of which only a few ruins remain. The second was St Michael's, a 14th-century Gothic church later designated as a cathedral, which remains a ruined shell after its bombing during the Second World War. The third is the new St Michael's Cathedral, built immediately adjacent after the destruction of the former.
Coventry had a medieval cathedral that survived until the Reformation. This was St Mary's Priory and Cathedral, 1095 to 1102, when Robert de Limesey moved the bishop's see from Lichfield to Coventry,[1] until 1539 when it fell victim to Henry VIII's dissolution of the monasteries. Prior to 1095, it had been a small Benedictine monastery (endowed by Leofric, Earl of Mercia and his wife Godiva in 1043),[2] Shortly after 1095 rebuilding began and by the middle of the 13th century it was a cathedral of 142 yards (130 m) in length and included many large outbuildings.[3] Leofric was probably buried within the original Saxon church in Coventry. However, records suggest that Godiva was buried at Evesham Abbey, alongside her father confessor, Prior Æfic.[4] It was the only medieval cathedral to be demolished at the Reformation.[5]
St Michael's Cathedral[edit]
First structure[edit]
The old cathedral, painted in 1802 by William Crotch
The interior of the old cathedral, c. 1880
The roofless ruins of the old cathedral.
St Michael's Church was largely constructed between the late 14th century and early 15th century from red sandstone. It was one of the largest parish churches in England when, in 1918, it was elevated to cathedral status on the creation of the Diocese of Coventry.[6] This St Michael's Cathedral now stands ruined, bombed almost to destruction during the Coventry Blitz of 14 November 1940 by the German Luftwaffe. Only the tower, spire, the outer wall and the bronze effigy and tomb of its first bishop, Huyshe Yeatman-Biggs, survived. The ruins of this older cathedral remain hallowed ground and are listed at Grade I.[7] Following the bombing of the cathedral in 1940, Provost Richard Howard had the words "Father Forgive" inscribed on the wall behind the altar of the ruined building. The spire rises to 284 feet (87 metres)[8] to the base of the weathervane, and is the tallest structure in the city. It is also the third tallest cathedral spire in England, with only Salisbury and Norwich cathedrals rising higher. When the height of the weathervane is included, it is 290 feet (88 metres) high.[8]
Present structure[edit]
The current St Michael's Cathedral, built next to the remains of the old, was designed by Basil Spence and Arup, built by John Laing[9] and is a Grade I listed building.[10]
The selection of Spence for the work was a result of a competition held in 1950 to find an architect for the new Coventry Cathedral; his design was chosen from over two hundred submitted. Spence (later knighted for this work) insisted that instead of rebuilding the old cathedral, it should be kept in ruins as a garden of remembrance and that the new cathedral should be built alongside, the two buildings together effectively forming one church.[11] The use of Great Gate sandstone for the new Coventry Cathedral provides an element of unity between the buildings.
The foundation stone of the new cathedral was laid by Elizabeth II on 23 March 1956.[12] The unconventional spire or flèche is 80 feet (24 m) tall and was lowered onto the flat roof by a helicopter, flown by Wing Commander John Dowling in April 1962.[13]
The cathedral was consecrated on 25 May 1962, and Benjamin Britten's War Requiem, composed for the occasion, was premiered in the new cathedral on 30 May to mark its consecration.[14][15]
The Angel with the Eternal Gospel, one of the panes of Hutton's 'Great West Screen', which was smashed in 2020
Coventry's new cathedral adopted a modernist design. The interior is notable for its huge tapestry (once thought to be the world's largest) of Christ, designed by Graham Sutherland, the emotive sculpture of the Mater Dolorosa by John Bridgeman in the East end, and the Baptistry window designed by John Piper (made by Patrick Reyntiens), of abstract design that occupies the full height of the bowed baptistery, which comprises 195 panes, ranging from white to deep colours. The stained glass windows in the Nave, by Lawrence Lee, Keith New and Geoffrey Clarke, face away from the congregation. Spence's concept for these Nave windows was that the opposite pairs would represent a pattern of growth from birth to old age, culminating in heavenly glory nearest the altar—one side representing Human, the other side, the Divine. Also worthy of note is the Great West Window known as the Screen of Saints and Angels, engraved directly onto the screen in expressionist style by John Hutton. A pane of the Hutton window, depicting The Angel with the Eternal Gospel, was smashed during a burglary in January 2020.[16][17] (Although referred to as the West Window, this is the 'liturgical west' opposite the altar which is traditionally at the east end. In this cathedral the altar is actually at the north end.) The foundation stone, the ten stone panels inset into the walls of the cathedral called the Tablets of the Word, and the baptismal font were designed and carved by the émigré German letter carver Ralph Beyer. The lectern has a bookrest in the form of an eagle, by the sculptor Elisabeth Frink.[18] She also designed the canopy for the Bishop's throne.[18]
Famous Coventry person
Delia Ann Derbyshire (5 May 1937 – 3 July 2001)[1] was an English musician and composer of electronic music.[2] She carried out pioneering work with the BBC Radiophonic Workshop during the 1960s, including her electronic arrangement of the theme music to the British science-fiction television series Doctor Who.[3][4] She has been referred to as "the unsung heroine of British electronic music",[3] having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.[5]
Why should a man go to work, if he has the health and strength to stay in bed?